Sunday, June 29, 2008

A Quilt For Summer

It's finally summer and I brought out the Great Lakes Summer Quilt for display at our lake shore home in Michigan. I designed this quilt during the summer of 2001 and it became the signature quilt for the last Quilt Camp that we did at the Old Winsor Gallery (now Harjo's Ben Franklin) in downtown Pigeon. The Quilt Campers enjoyed customizing the central lighthouse block and learning how easy it is to do fusible applique with zigzag stitched finishes.

Now, when I get this quilt out for the summer I have a funky rule at the lake house -- I don't use blue in the public rooms of this house. No blue glassware, no blue linens, no blue quilts. BUT, this quilt is the grand exception. It has clear blues that contrast with reds and golds. With a lighthouse in the center, geraniums, a sunflower, stars, and flags this quilt feels so "summer-coastal-patriotic" to me.

My favorite block is the geranium. It uses fused applique with petals and leaves and pot and stems. The pencil sketch for this block was done in the summer of 2000. Surrounded by flowers and porch pots, I sketched this calm, summer block.

And where did the Canadian flag come from? We camped on the shore of Lake Superior at Lake Superior Provincial Park north of Sault Ste Marie, Ontario for two summers. Canada's flag reminds me of the those wonderful June days at Agawa Bay in the Grand North.
Happy Summer (at last)!
Wanda

Friday, June 6, 2008

The 97 Blazer

Graywood Designs has its own car! Well, I guess that you'd call my 1997 Blazer a SUV. Technically it is an S10 pickup body made by Chevy for quite a few years. The 1997 Blazer (we just call it "The Blazer") has been to Houston for Quilt Markets and Festivals almost every year since its first trip in 1997. It has been to other Quilt Markets, too, and this is also the vehicle that has been Canada camping and done lots of Michigan to Wisconsin trips.


As of today the Blazer has over 240,000 miles on its odometer. So, you see, it has been to the moon (figure earth to moon distance at 125,000 miles) and is on its way back. Wow! That's quite a feat!

You can see how proud I am of this car by my picture of the Blazer-Trailer rig that we run to Houston. The Blazer was retired from long trips in February of 2007. I replaced it with the BNB -- Big New Buick -- that can also pull the trailer. The BNB's license plate is "GW04." Those of you who order our patterns regularly know that GW04 is the item number for Graywood's "Double Four Patch Runner" design. We're on our way to selling 25,000 of this pattern. Hence, the license plate -- a vanity plate that commemorates a bestselling quilting pattern!

Happy Quilting,

Wanda

Wednesday, May 21, 2008

Schoolhouse Session at Quilt Market



I presented two sessions called "Elevate the Lowly Potholder" at Spring Quilt Market's Schoolhouse event. Here I am outside the classroom with the listing of all the sessions that took place in just this one room. There are a myriad of such sessions, all designed to be helpful to shop owners and buyers who are looking for the next best thing for their shop.

Our presentation, which was well received, highlighted our new book, Potholder Play.

This photo was taken by my husband, Ed, who accompanied me to Market. He was the "handout" man for the Schoolhouse Session. He's the strong back that helped me with booth setup and takedown. He keeps me company when I'm far from home and he encourages my work. What a guy!

Hey, one more thing about this photo. I broke my glasses on the last day of Market. Pulled them out of their case and snapped them right in half across the nosepiece! I've worn glasses since I was five and don't remember ever breaking a pair quite like that. I really liked this frame, too. Oh well, life changes and I'll have to get a new frame. Fortunately I had a spare pair with me.

Tuesday, May 20, 2008

Introducing our third book, Potholder Play

We're shipping the first orders of Potholder Play, our third quilting book, this week. I just got back from Portland, Oregon where we exhibited at the International Quilt Market Spring Show. Many shops from all over the country ordered the book.

"Why do potholders?" asked some of the shop owners. We have a myriad of answers.

Potholders are great small projects where you can try out color combinations and practice thread play.

Potholders make great gifts for friends. We have a design called "Call Me, Okay?" that's a telephone block. We suggest that you sign the finished potholder with your name and phone number to give as a going away gift for a friend.

Potholders are quick to make. Our book gives directions for flip lining or for binding potholders. Even new quilters can make one easily using our concise, clear directions.

Potholders are easy to mail. Need a quick birthday gift? Stitch up one of our designs and call it a birthday card for a friend or relative. What a good way to say "happy b-day!"

The book has more than potholder designs in it. Our "Market Bag" fits the standard paper grocery sack and can be the bag that you use to haul groceries into your house or apartment. Our Market Bag has four blocks on each side and is a "quilterly" way to save on paper as you doing your shopping.

Potholders can function as mug mats, too. Our "Coffee Time" design goes well with a big mug of coffee and a cookie. Or try our "Big Mac Bridge Ice Floes" design for really cool coasters to put beneath those dripping iced tea glasses this summer.

There's more. Potholder Play really hits the mark for designs that are practical, yet beautiful and fun to make.

We've placed the book in over 20 shops, with two catalog companies and two distributors. We know you'll be seeing Potholder Play in quilt shops this year.

Friday, April 25, 2008

Why do we quilt or knit? Why do we create?

We just sent out another email newsletter from our website. I try to do this email every Friday and feature some of the products that we have on our website.

In addition, I like to do a conversational type letter for my customers, sort of a "chatty Cathy" communication. Sometimes it is about the weather; sometimes about family; often about the benefit of quilting and knitting. Anyone can sign up for the newsletter by accessing the signup page on our website, http://www.quiltinpigeon.com/.

But what I'd like to write a bit about today is why we quilt and knit. Most of us, men or women, really don't need to sew or knit. But lots of us came out of a heritage of making things and of making do. I think about the carpet rags that my mother and grandmother sewed. Clothing was torn into strips, folded just a certain way, ends were sewn together, and the long strip was wound into a ball. Those balls went to a weaver who made rag rugs for us.

After my husband and I married, when we would come home for a visit, my mother-in-law (or was it his grandma who would do this?) would ask if we needed a rug. She'd get out the huge roll of rag rugs, cut one or two off, and show us how to knot the ends. We'd have a wonderfully serviceable new rug to take back to our college apartment. Well, those days of needing to do rag balls are gone (although I can think right now of at least two people who still weave rugs right here in our part of Michigan!).

So, if we don't need to make things for utility and usefulness, why do we create? Let me take a stab at answering that question.

Some of what draws me to fabrics and yarns is the color. I love the depth of color in wool. I love the play of color of one fabric against another and another. I love scrappy quilts that have oodles of fabrics and yet a sense of wonderful color play.

I'm drawn by the technical skill that I have developed in both quilting and knitting. As a knitter, I'm constantly trying to hone finishing skills. I want my sweaters to be professional looking, yet hand done. As a quilter, I derive great pleaure from blocks that fit together with little fudging. I'm always pleased by miters that work, by binding that is even and runs true.

I'm drawn to both quilts and knits by the design possibilities. How can there be so many ways of putting simple geometric shapes together? Quilting captures that essence of multiplicity. How can two needles and one strand of yarn be the basis for so many stitches and surface textures and ways to increase, decrease, cable, and more?

Most of all, when I'm quilting or knitting for myself, I get lost in my work. I knit with abandon, sometimes forgetting to stand up and stretch every half hour. Especially in the morning with a cup of coffee, NPR on the radio, my Ott light over my shoulder, and the sun not up yet, I'm lost in the knitting.

With quilting, everytime I can pull up to my sewing machine and just piece is like a little vacation for me. Maybe I don't even finish a task. Still, the routine of the sewing, pressing, cutting is like a mantra that soothes and pleases.

How about you? Do you think much about why these two artforms give you satisfaction? I can come up with more reasons and so can you. How blessed we are as humans to be able to create!

Thursday, April 24, 2008

Third Quilting Book Sent to Printer


Whew! Graywood's third quilting book, Potholder Play, was sent out to the printer yesterday. We made our deadline! Now we'll see the first proofs early next week. Our preparation for the proofing stage has been careful and this is our third book. Hopefully, we'll have a minimum of changes and can move to the blueline stage right away.

Our books are marketed at Quilts, Inc.'s International Quilt Markets which are held twice a year. At the three day Market we meet with customers, take orders, display our products, network with other supplier to the quilting industry, and get a sense of where the industry is going. Many shops throughout the U.S. and Canada carry our books and patterns. In addition, our products can be purchased through our website, http://www.quiltinpigeon.com

So, what happens next is this. We see actual color printouts of all the pages and covers. We make corrections and additions; we try to catch any color correcting of photos that we know will be needed. Our changes are overnighted to the printer; they send another proof. The process goes on until everything is right. Then we see a final blueline proof and approve the printing.

If all goes well (and it should) our third quilting book will be here in mid-May. That will be quite an accomplishment -- three books since May of 2006. Can you tell I'm proud of the work?!

Thursday, March 8, 2007

Diagrams Vs. Photos

In the over 40 quilting patterns that we've published since 1997 we've made extensive use of diagrams. Now, with the advent of digital photography, we've started to use photos, too.

Sometimes the simplicity of a diagram gives clarity to a quilting or knitting direction. With photographs, the setting can get in the way of the process that is being illustrated. Diagrams are usually black and white line art. I have been known to spend several hours on one diagram, just trying to get the sense of the drawing correct for the quilter who will follow the diagram. I like the sparseness of a drawing; it can focus on a particular step in a set of instructions in a way that a photo cannot.

Photographs, on the other hand, are wonderful for showing an overall sense of a quilt or table runner or knit hat or our little Knitcushion project. You can see the shape and color; one gets a broader idea of the ambiance of the work that is being created. Detail can be captured with a photo, too. Don't we all love seeing quilting stitches up close and personal. Photos can give us this sense of immediacy and reality that can't be obtained in a drawing or diagram.

The challenge in writing instructions for both quilting and knitting is knowing when to use either of these methods.